There are two scenes in which I want to touch to improve or add more to a scene. One of them is the fact that from the feedback obtained yesterday, I saw a comment in which someone left a comment saying how the scene where the glass of water is shown in focused when the characters are not; the water in the glass are hard to be seen due to the room being all white and the water being clear. The following images below show an example of the following scene:
By instict, I thought that I could somehow duplicate the layer so that there are two layers of the same shot then somehow having to crop the layer on top to fit in with the glass, at first it was just a square box, then I realised that water are not perfectly rectangular, so I tried masking it instead. Turns out that masking it was a far better call than using crop by itself; I then colour grade the masked layer so that it gives off a light blue ish tint to it. P.S. Somehow the mask actually tracks the water movements as well! it was all amazing and my mind was blown away.
This next masking was when I was working on the credit's with the information Richy gave me on a message via the LINE app. I was also free to add whatever I feel like adding as well!
Ryu Techa Productions (include with the logo please)
STARS:
Zacharia Ford
Chavit Homsiri
Maria Scrutner
TITLE OF FILM
Director of Photography: Ryu Techa
Produced by Richy Monopoly and Ryu Techa
Written by John Bunnell
Directed by Richy Monopoly
I was thinking of a way to make a name on an opening sequence look fascinating, therefore I tried to masked Richy's pretend star name in the movie and mask it behind him, normally if I mask one frame hit the track button it should track automatically but this time it doesn't work. Why... This means that I must track each shot individually fameby frame. The end result was really amazing that I ended up using it again in the shot where Toy was walking towards the camera and we can only see his foot.
By instict, I thought that I could somehow duplicate the layer so that there are two layers of the same shot then somehow having to crop the layer on top to fit in with the glass, at first it was just a square box, then I realised that water are not perfectly rectangular, so I tried masking it instead. Turns out that masking it was a far better call than using crop by itself; I then colour grade the masked layer so that it gives off a light blue ish tint to it. P.S. Somehow the mask actually tracks the water movements as well! it was all amazing and my mind was blown away.
This next masking was when I was working on the credit's with the information Richy gave me on a message via the LINE app. I was also free to add whatever I feel like adding as well!
Ryu Techa Productions (include with the logo please)
STARS:
Zacharia Ford
Chavit Homsiri
Maria Scrutner
TITLE OF FILM
Director of Photography: Ryu Techa
Produced by Richy Monopoly and Ryu Techa
Written by John Bunnell
Directed by Richy Monopoly
I was thinking of a way to make a name on an opening sequence look fascinating, therefore I tried to masked Richy's pretend star name in the movie and mask it behind him, normally if I mask one frame hit the track button it should track automatically but this time it doesn't work. Why... This means that I must track each shot individually fameby frame. The end result was really amazing that I ended up using it again in the shot where Toy was walking towards the camera and we can only see his foot.
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